Jungkook's 'I Am Still' becomes highest-grossing music movie of 2024
MANILA, Philippines — The documentary movie "Jungkook: I Am Still," about the youngest member of K-pop boy band BTS, is the year's biggest music film to date.
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LIST: 'Hello, Love, Again' to hold midnight screenings, gets worldwide release
MANILA, Philippines — Alden Richards and Kathryn Bernardo's international fans will not have to wait for months just to be able to see "Hello, Love, Again" in their local theaters. Some of them will even have the chance to see Alden and Kathryn and watch the sequel with them in person.
Actor at sexy star nagkatikiman sa taping, selosang gf nalusutan | Pilipino Star Ngayon
Nakalusot si makisig na aktor sa selosang girlfriend kahit ang bongga ang pagbabantay nito.
Filipino films 'Iti Mapukpukaw,' 'Sunshine' nominated at 2024 Asia Pacific Screen Awards
MANILA, Philippines — Two Filipino movies were nominated at this year's Asia Pacific Screen Awards (APSA), as well as two films that were joint efforts between Filipino producers and producers from neighboring countries.
‘All We Imagine as Light’ and ‘April’ Lead Nominations for Asia Pacific Screen Awards
Patrick Frater Asia Bureau Chief Two films by women directors, Payal Kapadia’s “All We Imagine as Light” and Dea Kulumbegashvili’s “April” lead the nominations for the Asia Pacific Screen Awards. Both films will compete in five categories – best film, best director, best screenplay, best cinematography and best performance – it was revealed Wednesday in a nominations announcement. Also competing for best film are Yoko Yamanaka’s Tokyo-set story of a young woman’s mental illness, “Desert of Namibia” (Japan); Neo Sora’s future Tokyo tale of perilous social surveillance “Happyend” (Japan, U.S.); and Jiang Xiaoxuan’s “To Kill a Mongolian Horse” (Malaysia, Hong Kong, South Korea, Japan, Saudi Arabia, Thailand, U.S.), a portrait of a Mongolian horseman turned performer, based on a true story. Four of the five films nominated for best film are from female directors, and in an APSA first, all five best film contenders are first or second features. In addition to Kapadia, Kulumbegashvili and Jiang, the nominees for best director include Tato Kotetishvili for “Holy Electricity,” alongside veteran French Cambodian auteur Rithy Panh for “Meeting with Pol Pot.” For the first time since the acting category became an ungendered best performance award, all five nominations go to women. They are: India’s Kani Kusruti for “All We Imagine as Light,” Georgia’s Ia Sukhitashvili for “April,” Japan’s Yuumi Kawai for “Desert of Namibia,” Kazakh performer Madina Akylbekova for “Madina” and Iranian Soheila Golestani for “The Seed of the Sacred Fig.” “In 2024, two thirds of our nominated films are debut or second films, representing the cinematic excellence of the next generation of Asia Pacific voices, and the unique and compelling stories they are choosing to tell,” said APSA chair Tracey Vieira. The awards will be presented Nov.
The Inside Story of ‘Pulp Fiction’: 20 Creatives Break Down Making the ‘Tarantinoverse’ Look and Feel
Pulp Fiction,” Tim Roth knows the truth about a privileged piece of movie mythology. “We tend to know only as much as [our character] would know, but one thing that I do know because my character would know, which is what’s in the suitcase,” Roth reveals. “But Quentin asked me not to mention it.” In a film full of mysteries, the contents of that sacred object remain among the biggest.
Dashcams in police cars sought
MANILA, Philippines — Dashboard cameras should be installed in police vehicles to aid in deterring crime, according to Quezon City 6th District Rep. Victoria Co-Pilar.
‘Pulp Fiction’ Turns 30: How Quentin Tarantino’s Masterpiece Saved Careers, Conquered Film Festivals and Changed Cinema Forever
th anniversary on Oct. 14, “Pulp Fiction” has left a massive footprint on moviemaking. Originally conceived as an anthology by writer-director Quentin Tarantino and his longtime friend, collaborator and Video Archives coworker Roger Avary, the film evolved into a funny, violent, endlessly inventive, non-linear odyssey.